The story of Sabrina the Teenage Witch and her past is told and illustrated by Roberto Aguirre-Sacasa and Robert Hack. The creepy
reveal sets an eerie tone to the comic, setting the mood for what is to come.
Creatively, there is a cut out box on the front cover that allows the
illustration on the reveal to be seen. This plays with the idea that when it
comes to magic, what you see is not necessarily what you get. Importantly, this
reveal perfectly matches the last page in the issue that illustrates the
Deamoness of Desire with her disgusting skull face who is in search of a new
face for herself. Putting Sabrina’s face inside the skull poses the question of whether Sabrina will be whom she seeks.
This book of magic is appropriately coloured with
black, orange and yellow tones that fit with the story that begins on October
31, 1951. The trademark colours of Halloween overtake this piece and are
extremely effective in conveying how truly unpredictable magic really
is. Tones of black and orange mingle to create brown hues, perfect for
creating shadows on the page and in the illustrations, allowing for an ominous
feel on the panel borders.
The colour blue on the other hand, to me, is always associated with magic. For example, her aunt wears a blue dress or hat with a blue ribbon, Sabrina's aunts, her cat and Sabrina herself have blue eyes, there is a scene where she plucks a blue jar from a cupboard using magic, there are two Riverdale cheerleaders who wear blue sweaters when trying to summon the Deamoness, and then finally the Deamoness herself takes refuge in a pale blue lake.
The colour red is important too because it can
signify evil. It does play a part in Sabrina’s wardrobe in the comic, but it is
also a colour of deception: the blanket Sabrina is swaddled in as a baby is
actually used as a way to conceal a fake baby, therefore making Sabrina’s
mother think she is holding her
child, but in reality she is holding a voodoo doll. Her aunts wear red shoes which can pick up on the fact that they tricked Sabrina's mom and stole Sabrina from her with help of her father. There is also a scene where
Sabrina is having a tantrum and the whites of her eyes are replaced with a dark
red colour and black lines are emanating from her face, like she is a cracked
doll from a scary movie. It is images like this that make this comic seem like
it should not be read by children… the images are scary. Also, the young girl that
makes Sabrina upset wears a red jumper, and her cousin Ambrose (who seems to be
a fishy character alongside his two King Cobra snakes) also wears red pants.
The use of red in the piece fits with the palate because red
and yellow mix to make orange, so in terms of the physical creation of the
comic, it is understandable that the colours be mixed in order to work
together. The colour blue is what stands out on the page. It
has a calming effect and lets the eye rest; sometimes a thick blue colour takes the place of a
detailed background. It provides a contrast, especially on pages where the
panels look washed out and are predominantly light orange and pale grey. The
effect is that the eye is drawn there almost instantly, and most often it
brings the reader to a place of magic, conflict, or a combination of the two.
Using blue in select places makes it like a game for readers to wonder why
exactly the creator put it there. For me, it points to magic, but like real
magic, I may never find the real answer behind it.
This issue was extremely fun to read and gave me an
interesting background of Sabrina the Teenage Witch that I did no know before.
It is a series that can stand alone because it does not require readers to have
knowledge about Archie comics before picking it up. Overall a great read… I
will definitely pick it back up around Halloween next year!
- Daniela Palombo
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