Plutona by Jeff
Lemire, Emi Lenox, and Jordan Bellaire is a new web-comic series by Image.
Volume One of the comic follows the lives of four teenagers as they embark on a
search for a young boy leads them to a superhero. Being that this is the first
comic series I have ever purchased, a large portion of my expectations came
from novels. If there were any visual aesthetics, they were more of a
supplementary element for the texts. In my Comics Theory Class with Professor
Dale Jacobs, we spoke about there being a tension between sequence and surface.
As a new reader, it is easy to focus on the words for sequence since there are
a lot of speech bubbles in this comic. I needed to engage the text at a higher
conscious in order to focus on the layout and the other multimodal aspects. After
reading the comic through with a focus on the literacy, I went back and paid
attention to the surface of the comic. My eyes automatically drew to the
unconventional use of the two-page spreads instead of the conventional rectangular
panes. Me, as the reader felt more involved in this spread because I was in
control of the direction of my eyes. The use of a clock to connect two panels
brought a sense of realism to the tiers. I was aware of time within the medium,
similar to that in film. The use of thick black lines for the characters
allowed me to project myself into the character more. By the fifth page, I was
emotionally invested in the development of the characters. Outlining the
individuals are a part of the cartooning technique. In Understanding Comics by Scott Mccloud, he states, “cartooning
provides us {the reader} the ability to not just observe, but to become it.” Mccloud
attributes my submersion into the character due to the cartooning style. It is
interesting that after I started looking at the drawing style, Mccloud’s theory
seemed accurate. The character’s faces are very simplistic with only facial
shading for expression and hairlines. Not only was I able to place real
individuals at my high school to the characters, but also myself. Since the
drawing lacked realism, it was able to slide into my fantasy; in my fantasy
anything is possible. There are a lot more to say about the style and technique
within this comic, but I will save those for the next draft. In the same way the
authors are making me wait the next volume, I will also make you anticipate my
next analysis of Plutona.
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